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Clothing and Personal Identity - Research Paper Example

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The paper "Clothing and Personal Identity" critically analyzes the links between clothing and personal identity. A close relationship exists between the two at different levels, while taking into consideration the wearer’s gender, age, social class, religion, ethnicity, and symbolism of clothing…
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Therefore, one can conclude that clothing is a mode of communication (nonverbal), which creates the first and a lasting impression of the wearer, on the observer. It is almost impossible to wear clothes without revealing to some extent the personal and social identity of the wearer, and his or her view of the world.Within prevalent cultural and social norms observed worldwide, clothing largely reveals the wearer’s personal identity and his or her attitude towards the world. This attitude is directly represented by the wearer’s character, which is created through his or her personal identity (or personality).

There are various uses of clothing, wherein besides covering one’s body, as Buckley and Roach suggested it is also used for satisfying “human needs and desires. It may function as a means of protection” (1974, 95), while simultaneously acting as a strong nonverbal mode of communication. The clothes that an individual chooses to wear tend to acts as a motivation for the wearer, steps up his or her level of confidence, and increases self-respect. Observations have revealed that various kinds of psychological emotions are created through the choice of clothes that people make and in their beliefs as to how the world views them through their choice of clothing (Cox and Dittmar, 2005, 237-265).

Therefore as Crane maintained “clothing choices provide an excellent field for studying how people interpret a specific form of culture for their own purposes” (2000, 1). Researchers reveal that in conservative and rigid societies (as in many of the Asian countries) cultures develop in a manner that not only allows promotion of meaning in the traditional form of clothing but also in the process through which socially approved clothing is created. In such conservative and traditional societies, aspects like the origin of fabric are given equal importance as to how the cloth is worn and by whom (often clothes are strictly gender-specific in such societies) (Barnes and Eicher, 1992, 29-43).

Thus, clothes also reflect one’s social identity, along with revealing one’s personal identity. In contrast, European culture, through the course of history, has shown far more flexibility in terms of changing patterns in clothes' fashion and style statements.

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