Jonzi's characterization of the various peoples can be said to be the most striking feature of this piece of work, because of his use of comedy with a subject matter that is highly political. For example, he plays on the laid-back image of the black Caribbean in his evocation of the Grenada carnival. Here, his challenger addresses him as an English boy, and uses a particular type of accent and voice inflection, changing pitch and holding the last words of sentences. The character also stands with his weight in a far back position, with hips stuck out, and affects a look of being easy-going, only half serious, and teasing.
The characterisation of those whom Jonzi encounters in New York contrasts this starkly. "Clearly drawn from images of gangsta rappers (and their girlfriends) on the streets, Jonzi uses the stereotypical reflection politically. Heavy, dark hip-hop beats mirror the serious, dangerous attitude of the NY men." (Jenny Rossier)
Jonzi's treatment of the stereotypes enables one to dismiss any preconceptions of oppression from the view of the creator of the work. It is clear that Jonzi has researched, and has first hand experience on the matter. His characterization makes use of the stereotypes advantageously, and enables him to communicate a political statement on the stereotypes and also on the level of truth behind them. Contrary to the typically objective views of blacks as is usually seen in westerns film and western theatre, Jonzi has not assumed the truth in this piece, or a role as truth teller. He uses parodies, comedy and irony to create multiple layers of the stereotypical images. Aeroplane Man is a good example of the usefulness of hip-hop as recreation, and as a functional art form. It also depicts the use of hip-hop as a means of entertainment, and a political tool.
Aeroplane man shows that ethnic stereotypes have a stable cognitive content, and that sometimes, insignificant events do invoke a wave of somewhat biased writings and statements. It is possible for one rumour to able to make many stereotypes actual, but only if the rumour matches the general content of the ethnic stereotypes. If not, then the cognitive dissonance mechanism will lead to a rejection of any information which invalidates or contradicts that particular stereotypical image. Aeroplane man also shows that the similar fight with contradictions does indeed concern the psychodynamic factors of stereotyping.
One such factor of stereotyping is the transfer of emotional reaction to any hardship from actual to imaginary causes, or "scapegoats" as regards the ethnic groups. This emotional transference can help in maintaining the balance of the inner world of a personality despite the object of the affection has often nothing to do with the real reasons of a problem. In a situation where an ethnic group blames another ethnic group for its own hardships, it will be very difficult to prove the opposite, due to