The interview revealed several things, some of which were expected, but others which were surprising. The interview found that the band did not claim to hold any strong beliefs which related to politics or religion. The band members claimed that their ideology focused more on having fun, and this was the image that they tried to portray. The band did acknowledge that there are many rock bands which do have strong ideologies. One such example which they quoted was the British group the Sex Pistols, who were famous in the Punk Rock era of the 1980s. They were as famous for their strong beliefs in anarchy and hatred of the British political regimes as they were for their music.
The interview also revealed that the rock group was heavily influenced by other rock groups which influenced them. Other famous rock groups did not only influence the group's music, but also their dress. For example it was mentioned in the interview that childhood heroes had been the rock groups of the 70s such as T-Rex. From viewing the photographs of the rock groups it is possible to observe that this has influenced the dress, especially in the early years of the rock band.
One band which was mentioned in the interview was the Sex Pistols. These are considered an iconic rock band on many levels. The music was highly controversial and produced and released independently. This allowed the band a large degree of freedom that many other bands which had signed to corporate brands did not possess. The entire stance which was adopted by the group was anti-establishment. It is for this reason that the Sex Pistols selected their dress. They aimed to take clothes which were seen as socially acceptable at that time and transform them into a dress code which would be highly controversial. It was not only the clothes which the Sex pistols altered in an attempt to shock. They also adopted hairstyles such as the Mohican, died their hair dramatic colours, and decorated their bodies with tattoos and piercings.
Other rock bands at the time did not have the same levels of freedom, and as a result their images were far more controlled by the record label. Goshert (2000) suggests that although the majority of modern bands would not
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