It unbeatably talks about the national impulses faced by Indian soldiers serving in British army (Ghosh, 2002). This is a woven tapestry of the concerned issues of colonial approach like mutiny and special rule for women. One is never away from the astray of being caught up by the strong grip of the colonial narrative found in the novel. The novel is the verdict of the fact that the imperialism engulfs the narrative so of the land being ruled over and gives and portrays it with its very own language (Ghosh, 2002). George Orwell’s “Burmese Days” is very much parallel to the voice of the narrative represented in “the Glass Palace”. The thing is not of being smarter or cleverer but this is about how the real native or the speaker is given secondary importance when given light upon by the white writers of colonial era. Post colonial approach has brought a new stream of consciousness which enabled people to peep through the real narratives of the land which were high jacked either by the foreign rule or through the socio-political pressure of the century. Thus Amitav is very much right in saying that a moment of power is eclipsed by the fantasy of the next one. When Britain’s hold the pen power, everything said and written about the brown people was on their ignorance, maltreatment ways and the poor conduct. No matter how rich and how provocative the culture of the land is, this is still unacceptable to these white people as it constitutes the theme of the “Burmese Days” as well where we find Dr. Veraswami attempting to pave way for being the member of British Club at Burma (Orwell, 1934). This creates a discomfort to U Po Kyin that a non white member is trying to be a part of the White Community. This makes “Glass Palace” very familiar to the post colonial writers’ school of thought like Edward Saeed has talked about in “Culture and Imperialism” (Ashcroft et. al., 2002). The Glass Palace like Burmese Days is reflective of cultural conversations and ethnic unions which is one of the big acquired traits of the colonial narratives. In “Burmese Days” Flory has eager hunger for talking on the critique of Raj and admiring and condemning the British rule simultaneously. His very words “the lie that we are here to uplift our poor black brothers instead of to rob them” are an open comment upon the masked intentions of British establishments which is familiar to the oil mining stimulus in Burma represented in “The Glass Palace”. The role of Rajkumar bringing his recruiters from the distant land to the Burmese trade is also a drawback which these colonized lands have always been attacked with. The imperialism being the biggest form of the capitalism did not leave much space and never showed generosity for the natives to grow with their own economy prevailing in their ethnic and cultural circles (Ashcroft et. al., 2002). The history cannot be alienated when woven in a discourse. This is the voice of the narrative that leads the readers to identify the shreds of history from the fiction which is hardly
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