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In this analysis, we discuss the implications of new digital media and the corresponding changes to communication technology and scientific enterprise and particularly reflected through change within the technical elements of art and photography. The special focus here is cinema and considering Manovich's theory and critiques on the role of digitization as in new media and in changes affected within cinematography, we will examine the claim that contemporary digital cinema has been primarily characterised by a return to the pre cinematic moving images techniques.
Cinematic critic Lev Manovich has analysed the techniques of digital cinema and has argued that contemporary digital cinema is marked by pre-cinematic movement of image techniques which shows a return to earlier cinematic methods. Contemporary digital cinema seems to be characterised by interactive narrative (Manovich, 1996). Manovich however claims that the digital media helps to present narratives in a new way yet considering the discussion of the central focus of digital media, narratives according to Manovich is far from the essential element of digital storytelling (Manovich, 1996). Digital cinema seems to have redefined the identity of cinema as with digital cinema, simulation of all real events could be done without necessitating real physical space events to occur and be recorded within photographic limitations.
Cinema has been seeing what is widely called a digital revolution in which the computer is used more extensively to create fictional forms and moving images in a specialised manner. ...
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