Even a cursory review of the financial success of such films indicates that the international success is extraordinarily limited, if allowed to exist at all due to the fact that many times these releases are restricted to domestic markets only…
Rather, a differential and culture and the unique way through which Hollywood and representations of Americanism and reality are depicted within the film leads many individuals to come to the conclusion that American film is a gross over exaggeration and misinterpretation of the way in which life truly exists. Naturally, it will not be the intent of this author, nor indeed of this paper, to argue for the fact that film is by very definition and imaginative portal through which a greater level of human understanding can be achieved. However, the particular focus of this brief analysis will be contingent upon comparing and contrasting two different films which use as their main plot line a focus upon American sporting and the means through which this serves as a microcosm of understanding for a uniquely American experience. As a means of differentiating and defining this broad categorical approach, the analysis will use to films from different genres. The first of these is with regards to the 1986 drama starring Gene Hackman and entitled “Hoosiers”. The second will be a comedy which was only recently released within the year 2009 and entitled “the winning season”....
Further levels of pessimism and hopelessness are peeled back through the successive scenes of the film. Hackman is portrayed as an individual that is seemingly making a logical choices; benching players, reducing the overall number of individuals on the team, reaching out to those who had never played the sport before, and instituting a rigorous and unpopular series of practices in order to shape the team into something he views as potentially successful. Whereas all of these actions are taking place within the vacuum of Hackman’s own determination of what defines success, the parents, and stakeholders within the community, begin to increasingly question these tactics; as do some of the basketball players on the team itself. Unperturbed by these, Hackman continues within his course of what can only be defined as boneheaded optimist. As is somewhat predictable, at least within the current era, Hackman’s character experiences a pivotal moment at that such a time as when his techniques and tenure at the school are within a hair’s breadth of being dashed. Although the movie received a rave reviews and was the subject of many different awards, the means through which Hackman’s character is saved by the emergence of the star player and his commitment to only play for Hackman’s team if Hackman’s character retains his position as head coach revealed a particularly campy and predictable interpretation of snatching victory from the jaws of imminent pessimism and defeat. Not dissimilarly, the 2009, the entitled “the winning season” portrays and eerily similar plot line. A divorced dead beat dad, estranged from his family, utilizes the friendship of the high school principal to ...
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