This is particularly in the many cases where parts of their cultural heritage have been used or misused for profit without the authorization or knowledge of the original owners. It is important that the rights of the indigenous people to control their intellectual property as well as be principally involved in the determination of the latitude and nature of access and reproduction are recognized. Ironically, while in the recent past many foreigners have been benefiting from selling reproducing and marketing other products through indigenous art, the first westerners in Australia did not even acknowledge the indigenous people had art. They assumed they were too backwards and primitive to conceptualize or appreciate such ostentation and all the art in Australia was treated as artifacts with only historical but not artistic or aesthetic value. From the days of initial occupation, there has been a long history of misuse and illegal exploitation of arts designs and a multiplicity of cultural expression such as oral traditions, music dances and crafts. In 1968, the government in an effort to safeguard the cultural heritage from exploitation came up with the copyright act of 1968. This law was a trendsetter for other legal frameworks that would later come to be implemented in regard to protecting the diversity of indigenous heritage is posterity.3 According to the act; copyright did not need to be registered, all one needed to have a copyright was to produce original work, as such any existing artistic expression such as music was by default the property of the community or individuals who had produced it. This law took cognizance of the fact that majority of those who owned the cultural expression being safeguarded at the time were not educated and they could not have followed convectional registration protocols. It therefore prevented unscrupulous individuals who may have desired to register such works as their own and take advantage of the ignorance of the indigenous community. The law also provided that the copyright would only expire 50 years after the death of the creator of the works in question. Successive legislation was built on this law and one of the hallmarks was the 1983 decision in favor of the aboriginal artist agency which set the precedent for modern protection of intellectual property by proving indigenous works, just like any other creative works could be legally recognized as authentic. In addition, the 1983 act implemented UNESCOs convection for protection of world cultural heritage sites which Australia had ratified 11 years previously. 4 An examination of the history of copyright law in austral would be incomplete without a mention of the 1994 carpet case. This was a landmark in the legal protection of Aboriginal art, it pitted 3 aboriginal artists as well as the relatives of five deceased ones against Beechrow; a firm based in Perth which bought carpets in Vietnam and imported them in Australia for prices as high as $4000 .5 The company reproduced the works of several Australian artists living and dead on the carpets to make them seem authentic and thus justify their high cost as well as a attract thousands of local and international clients
Cite this document
(“Australian Aboriginal and Torres Strait Islander Art Essay”, n.d.)
Retrieved from https://studentshare.net/visual-arts-film-studies/104564-australian-aboriginal-and-torres-strait-islander
(Australian Aboriginal and Torres Strait Islander Art Essay)
“Australian Aboriginal and Torres Strait Islander Art Essay”, n.d. https://studentshare.net/visual-arts-film-studies/104564-australian-aboriginal-and-torres-strait-islander.
Cited: 0 times
Australian Aboriginal and Torres Strait Islander Art Name: Course: Lecturer: Date: The connection between the intellectual and cultural properties of ingenuous people of Australia and other parts of their cultural heritage and self-identity is varied and complex.1 The social economic contribution of the Torres islanders and Aboriginal people to Australia’s heritage has substantially benefited the country, in retrospect these indigenous communities and custodians of the culture have not been equitably recognized of compensated…
Aboriginal Culture Question 1 a. Aboriginal Dreaming is not merely a series of mythical stories about ancestral heritage and the forming of earth but encompasses all that is indigenous in relation to knowledge; integral to knowledge and Dreaming is indigenous spirituality.
Measures for Minimizing Construction Waste, Embodied Energy and Carbon Emissions iv. The Best Procurement Method for the Project Autonomous Development The choice of materials (methods and a justification as to their sustainability and build ability) The incorporation of environmentally friendly techniques in the erection of buildings is an upcoming trend that is difficult to disregard.
There seems to be no agreement on when the aborigines first settled in Australia, for example, the Columbia Electronic Encyclopaedia has it that the aborigines have been in Australia more than 40,000years, Siasoco (2006), perhaps trying to be more conservative, posit that Aborigines settled in Australia, at least 30,000years ago, while Horton (1994) argue that it cannot be earlier than 50,000years that the aborigines came to Australia.
These structures express their cultural and ethnic identity (AIAS, 1983). Indigenous communities like the Australia's aboriginals have been engaged in a unique effort of building dwelling structures that display a systematic process of qualitative design paradigms that are sui generis and practically infallible.
It is notable that the questions are specially geared to the Australian aboriginal context.
Artefact morphology, especially in the case of aboriginal stone tools and implements, is a bewilderingly complex subject and questions arising from their analyses have been ignored in this context in favour of more general questions that are more likely to provide early pointers to the artefacts' archaeological characteristics.
This essay analyzes Australian ancient Aboriginal Rock- Art. It is not only about survival evolution of Aboriginals, their own spiritual beliefs and lifestyle. Though fundamentally alike, Rock Art everywhere has regional characteristics and flavour. There is no specific definition of Rock-Art. It is further divided into Pictographs and Petroglyphs.
Students aim to include subjective narrative and/or cultural observation in their artwork. The level of community involvement is up to the teacher. This lesson supports tactile, visual and group learning methods and is appropriate for both indigenous and
In this essay several researches on the aboriginal arts, which play a vital role in the lives of the people of Australia were described. The definition of the ‘Aboriginal’ in the background of the Australia is discussed and the main significance of Aboriginal paintings, which is storytelling. It also refers to dreaming as a symbol in aboriginal arts, that relates arts and human spirit.
ritage has substantially benefited the country, in retrospect these indigenous communities and custodians of the culture have not been equitably recognized of compensated. Centuries before Australia was occupied by the English Impealialists, indigenous Australians were
The harsh European colonial rule saw the diminishment of this population and by 1920 only 60, 000 members were alive. During the European rule, this category of people was forced to vacate their lands and to abandon their hunter and gatherer way of living. They were
5 pages (1250 words)Research Paper
Got a tricky question? Receive an answer from students like you!Try us!
Let us find you another Essay on topic Australian Aboriginal and Torres Strait Islander Art for FREE!