Postwar Australian Art & Film - Coursework Example

Both artifacts depict a battle zone but they have a different approach. Both Mad Max and Sidney Nolan, portrays a war environment but with different tactics and approach. In addition, both images portray a sense of victory whereby a lone solider stands against an army. The images portray the conquering spirit of the European and how they managed to take over Australia from its natives. The two images are quite different in their stylistic and thematic presentation. Mad Max portrays a traditional type of wars that was fought from horsebacks.

Moreover, the image’s background shows a vast open land, which portrays the untamed continent of Australia. On the other hand, Mad Max advertising photo for the Australian post-apocalyptic action thriller film. It depicts a hero who people look up to after a war. The photo brings out a superhero who stands out for the oppressed at a time when the streets are not safe. The man in the photo holds a gun and is the person people look up to for hope and inspiration. The photograph is rather sophisticated and it depicts transformation in modern warfare.

Moreover, the photo depicts modern Australia whereby rural areas have been opened up by transport and communication infrastructures. 2 After the war was over, there were more issues to be solved. Before the war, everyone seems to have been satisfied with the ways things were done. Certainly, no one cared about the environment since no one had the responsibility. However, after the war, things turned around and people started to care about the environment as equally as they cared about their bodies.

The extent to which we can neglect or care about our environment is portrayed in the Peter Dombrovskis, Morning mist, Rock Island Bend and Christo and Jeanne-Claude, photograph of Wrapped Coast. The photographs portray the natural beauty of the Australian wild. More importantly, the photos depict the untamed continent and its perfection. However, this changes as soon as immigrants arrived in the country. The main difference between the two is that one shows a neglected environment while the other shows environmental conservation efforts.

Wrapped Coast, Little Bay depicts a massive environmental conservation effort to reduce erosion. On the other hand, Peter Dombrovskis, Morning mist depicts a neglected environment that is in need of our protection. 3 Badtjala woman images seem to be based on historical injustices and redemptions. The artist inserts her own images within a pictorial frame just as the country caves its own destiny after the war. The image itemizes the shell and reed necklaces, ‘collecting bag’, and ‘crossed string’ that adorn her naked upper torso.

Foley seems to be replicating the ways of the 19th century photographs of the images of the Badtjala people. In such photographs there is an unequal power relationship inherent. The photography does not bring out pornography due to the use of a naked indigenous female as opposed to a ‘white’ female. Bishop’s image is an icon of the lands rights movement in the Australian political photography (McCloskey, 2005). The bright blue sky and red earth gives an immediate sense of place. The red earth is seen to symbolize blood that was shed during the war.

Years of struggle are engraved on the face of Lingiari. Lingiari slightly bends back whereas Whitlam stands upright confident and optimistic. Words and white papers are meaningless when