Two examples of art work in which Participatory art was used Audience participation has been defined in many different contexts to correspond with some existing circumstance that an art work is presented in. In the context of the current research paper, audience participation is defined as the creation of a piece of art work in such a way that the audience will be easily connected to the work of art. In essence, audience participation does not necessarily deal with the direct role that audience play in the making of the work of art because the work of art selected in this instance is not a stage work, which has audience taking part in live viewing. A Mighty Heart In most forms of participatory art, the best way to get the audience to participate is by presenting them with themes of work that provoke their reasoning and level of awakening of the audience. It is based on this technique that the film “A Mighty Heart” (2007) by Michael Winterbottom was produced with a theme of cultural alienation. Often, in films rather than stage drama, audience participation has been said to come about through the level of ethnographic appreciation that the viewer has for the film (Calvert & Lewis, 2004). What this means is that the film but be set in such a way that appeals to the social perceptive dynamics of the audience. Meanwhile, the issue of cultural alienation is one that has a highly sensitive touch with the audio-visual reception of most viewers. This is because each person belongs to a given culture, and always seeks to have a judgmental attitude towards the cultures of other people. In “A Mighty Heart” therefore, the continual act of terrorism by a group of Pakistanis against an American journalist was themed. Viewing a film of this nature brings about an audience participation that is made up of a divide between those who justify the act of the Pakistanis and those who condemn the act. The combined effect of aural and visual perceptions in art has been reviewed above. As this combined effect brings about a well promoted audio-visual artistry, this section of the essay generally looks at the place of participatory art in modern audio-visual art with particular emphasis to the film industry. In contemporary media, and for that matter in the making of audio-visual art, participatory places a very role in engaging audience in almost all aspects of the piece of audio-visual art work. Generally participatory art ensures that audience become active partakers of the performance rather than passive recipients. This way, it is always possible for even the actors involved to have a better understanding of the impact that they are making to the audience. A typical example that can be cited with this is the use of stage drama, where audience participation can be accessed by performers in several ways. First and foremost, an auditorium of audience that is allowed to freely cheer and boo can send a very positive signal to actors on aspects of their act that makes the most significant impact to them, depending on the level of cheering or booing that will be received. Participatory art could therefore be said to be incomplete if there is an elimination of a form of physical interaction with the audience (Barthes, 2007). I love to love In the film “I love to love” by Adel Abidin, another dimension of gaining audience participation in films is depicted by the use of sensitive social variables such
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Title: THE ROLE OF PARTICIPATORY ART IN THE AUDIO-VISUAL ARTISTRY Name: Professor: Course: Date: THE ROLE OF PARTICIPATORY ART IN AUDIO-VISUAL ARTISTRY Thesis and Introduction The audience gets a better appreciation of the work of art if the creation and production of the work of art is weaved around them…
In other words, all famous artists of classic antiquity were surrounded by some controversy. Coming to the more recent times, there is Chris Ofili’s “Holy Virgin Mary” and “Piss Chris” by Andres Serrano. Thus, the dispute still remains alive as to what is the real goal of an artist or should an artist take the public reaction into consideration while presenting his art.
Throughout his life, it is estimated that Du Bois wrote over four thousand articles, essays, and books. As a result of his contributions, many university and government institutes have been named after Du Bois and currently he even has a face book appreciation group. His contribution to societal development through activism and scholarly work has been applauded by many scholars.
“The Souls of Black Folk” by W. E. B. Du Bois. It is correct to make the claim that the author of this text rejects European and western influences on his culture. It is important to note that the author, W. E. B. Du Bois, is an African American who has written a book about African Americans.
Since the year 1991, he decided to pursue a solo career, apart from working on a number of projects with other artists. Byrne is not just a musician, his career has been more than just the music he produces and plays. He has immensely contributed to the film industry, photography industry, operas, and the non-fiction film industry.
People can see, feel, and hear the artistic messages in structures, which is a combination of materials, shapes and colors. The architects communicate their observations through spatial words; these words are embedded with symbolic language mirroring culture.
the working class, a celebration of machines that were supposed to unleash the power of the workers and a pleasant voyage through the joy of film making.
In the introduction of the film itself, Vertov, through a series of titles, says that this film had three essential
Washington, Maria W. Stewart, W.E.B. Du Bois, and Ida B. Wells for the improvement of colored people in America and determines the most feasible actions in their times. During the nineteenth century, the most feasible strategies
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Washington was an educator and a moderate preacher of self-reliance, accommodation and class
2 pages (500 words)Essay
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