Director Moustapha Akkad - Essay Example

In the year 1954, with the age of 18years, Akkad arrived at the airport for his departure. He attended the University of California at Los Angeles for 4 years and marked off in 1958. Upon graduation, he interned under the Sam Peckinaph; an American director, while pursuing his Master’s degree at the USC (University of Southern California). The director of Los Angeles; Sam Peckinaph contacted Akkad while looking for an Arab speaking advisor to assist him develop a movie about the revolution of Algeria for independence.

Regrettably, the movie was dropped by the end of this revolution by the end of this revolution, but the relation between the two remained. Akkad proceeded and formed the FIP (Falcon International Productions), to completely distribute and finance John Carpenter’s Halloween; humbled budget spine cooler, written and produced by John. Carpenter, a hopeful filmmaker as well as the producer Irwin Yablans decided to make a low budget horror film on the babysitters being abducted and killed on Halloween.

They went to Moustapha Akkad for the film financing and support. After a long discussion with Carpenter and an understanding of his passions and ideas for the film, Akkad accepted to finance and produced the movie. He definitely understood that to be embraced, the movie would have to adhere to the life of Muhammed without presenting him or showing him his voice. Despite this, the movie generated bones of contention including financing among others, hence, the movie production was transferred from Libya to Morocco.

However, the movie went on and became famous. It even surpassed the existing produced movies which were privately produced and distributed (Lancaster, 2011). After the prosperity of Halloween, Moustapha set his eyes on the next epic narrative of resistance. His next movie was the Lion on the Desert; which enabled him reunite with Anthony Quinn in the topic role. Akkad continued producing movies in the Halloween series as well as others in the horror type, however, they were evidently meant to be stepping stones to his true passion that was to produce a movie on Islam and heroic Semitic Arab heroes.

Former prime minister of Jordan; a friend to Moustapha pointed out that Akkad had a good rationale of what he intended to perform. He further stated that Akkad intended to develop an Arab film production company to produce more films about the Arab history as well as political figures. Generally, it is imperative to take into account this mission whenever an individual reflects upon the present budget and proper demonization Muslims, Islam and Semitic people, an individual is able to understand the way this would not concur with Zionist mechanizations.

The defamation and denigration of Arabic peoples have frequently been the primary goal and focal point of post Israel Zionism. An individual only requires examination of the Hollywood film and television production from the aforementioned period to substantiate this preposition. In the present Hollywood, Mustapha’s positive movies on Islam as well as its heroes would never see the reality of the day such as financing, the resources to produce it as well as the associated distribution. The forces of deliberately infiltrated Zionist interests have developed an infrastructure in place which only shows that the media need to advance their agenda.

Mustapha Akkad was renown as a very intelligent