Gu lived during the Jin Dynasty (265-240) and is known as a the founder of the classical Chinese painting. The predominant style of painting during the Jin Dynasty was scroll paintings. Gu was from Wuxi family and worked as a government official when still of a young age. Gu was not only a painter but also wrote several poems and essays. He had a chance to travel to many places and he would document his experiences as poems, essays or paintings. He is a very important figure in studying Chinese art history (McCausland, 43). This paper looks at Gu kaizshi works of art and analyses the specific characteristics of these paining as a way of getting insight into the style used by Chinese artist during the Jin dynasty. Nushi Zhen “Admonitions of the Instructress of the Ladies in the Palace”) This is one of the most documented paintings by Gu. This painting is adopted from Zhag Hua’s moralizing text that details the right behavior that ladies in the Imperial Harlem should show. This scroll is made of direct quotation from the texts which are followed by illustrations in terms of painting. The paintings were made with ink drawn on silk materials. The paintings in this hand scroll are very different from those of the Han dynasty. Unlike the previous paintings the figures in this hand scroll have characterized facial expressions showing emotions (McCausland, 560. This shows a development towards the creation of portraits with the figures showing individual characters and is not general like the previous pictures. An example of this portrayal is seen in scene 10 when a lady approaching the emperor was repulsed by a gesture of his raised arm. Gu uses long even strokes of his brush that show the swirling of the drapery. One can also read the expressions on the two characters involved. An important aspect of Gu painting in this scroll is the strokes. He uses evenly narrow and long strokes without a lot of diversification. This kind of line was named as spring-silkworm-spitting-silk line. It was the earliest line style used by Chinese artist and it was not until Tang dynasty where the artists started using more diversified line strokes. Gu was also limited in terms of the colors used to paint the apparel worn by his characters. This is because the color used was only ink either ochre or vermilion ((McCausland & Gu, 356). Gold was used in representing ornamentation in women. Gu paid a lot of attention to details as seen in his work of art and this explains why it was possible to characterize his figures. This was borrowed by other artist and it now possible to tell a person’s character from the manner they are displayed in portraits. Nymph Of Luo River This is another work of art which has contributed to the growth of the modern day Chinese art. This work of art was based on a poem written by Cao Zhi. This art can be seen as a milestone in the transition from figure painting to landscape painting. It is from the Jin dynasty that artists started to recognize the powerful influence of nature as setting was now seen to be an integral part of displaying themes in paintings. The originating is based on the story of the price Cao zhi meeting a nymph by the Luo River. This story is found in a poem written by Cao zhi himself. The nymph was the daughter of a mythical ruler called Fuxi. This is a doomed romance since the gods and human cannot marry as they live in different worlds. This form of art also shows the
Cite this document
(“Handscrolls in the Song Dynasty or in Tang dynasty or you can compare Essay”, n.d.)
Retrieved from https://studentshare.net/visual-arts-film-studies/112428-handscrolls-in-the-song-dynasty-or-in-tang-dynasty
(Handscrolls in the Song Dynasty or in Tang Dynasty or You Can Compare Essay)
“Handscrolls in the Song Dynasty or in Tang Dynasty or You Can Compare Essay”, n.d. https://studentshare.net/visual-arts-film-studies/112428-handscrolls-in-the-song-dynasty-or-in-tang-dynasty.
Cited: 0 times
Name Institution Instructor Course Date Gu Kaizshi Work of Art Gu kaizshi is one of the most famous artist in China. He painted one of the oldest existing Chinese paintings. He is well known for one of his famous painting “Nushi Zhen” interpreted as the “Admonitions of the Instructress of the Ladies in the Palace”…
Mainly, this extended even in the marriage whereby the female gender had the authority to define her ambitions and even plan whom to live with regardless of the men’s authority. This is because “divorce by mutual consent was still part of the legal code, and windows were allowed to remarry” (Whitfield 109).
(Duiker & Spielvogel, 2009 , p.280)
In the year 577 AD, Yang Chien set up Sui Dynasty. By 581 AD, the entire southern states were also brought under its control and thus Imperial China was founded. The Sui
Ming dynasty was a period of cultural revival, expansion, and economic revival. Zhu Yuanzang reign made several changes, which include cutting taxes, and ensuring the government was cooperative. He also reorganized the administration. This period also saw the rise of military prowess. The number of the army improved significantly.
According to the research findings, it can, therefore, be said that it is worth noting that each dynasty had a profound effect on the political, social and economic life of the Chinese. The present research has identified that each dynasty has in some way contributed to the making of the modern day China.
At home also sex segregation is important. It is used to make sexes cover their occupations as required. A mother is supposed to stay at home, caring for the babies, make sure that there is general cleaning around the compound,
While cultural advancement in the Shang dynasty was rooted in the sphere of language, arts and skill the Qin dynasty achieved great advancement in the field of administration and governance by distributing China into prefectures and initiating a system of population count and management.
The culture of tea and tea drinking ceremony in the society reflects the importance of this perfect beverage, which was created in China. “Being an old and traditional beverage, tea was first grown in China and then spread to other
During the tang period, gradual improvement of the earthenware and stoneware is seen. For many years, continued efforts have been on the way to try to make bodies cleaner, harder and whiter. During this period, the clay bodies were kaolinitic and supplemented with other ingredients that helped them towards vitrification.
It was a “conquering” period amongst many dynasties, and some had proved their might in ability to conquer others and benefit from their resources. “Cao Cao has been a strong warrior and a commander with al larger army
These wise men are also called demigods. Fu-Xi being one of them, invented trapping, fishing and writing, while working with his sister Nuwa, he created first humans from clay. Shennong was the divine farmer who made Chinese people aware about the agriculture and
3 pages (750 words)Essay
Got a tricky question? Receive an answer from students like you!Try us!
Let us find you another Essay on topic Handscrolls in the Song Dynasty or in Tang dynasty or you can compare for FREE!