Art is considered to be indefinable. Art has no specific characteristics or features. According to the romantic tradition, it is the subject of genius, whose perception is beyond any social limitation and therefore it is considered as indefinable. In simple words art can be defined as a skillful piece that is the creation of a human artist. However the artists of modern age constantly have been pushing the boundaries of this definition and challenging new perceptions. The human artists have often left the psychologist, philosopher and critics far behind when it comes to preconception. Readymade art or found out often challenges the job of an artist as the creator of art (Tolstoy, n.d.). It is not always that an art is indefinable. It can be defined by the help of the institutional theory of Art. According to these institutional theories of art, it can be defined by the help of its partial or relational properties. The procedure through which art has been developed can also be considered as a way of defining art.According to the Formalist theory of art, the formal characteristic of artwork can be used to determine its aesthetic properties. This formal relation can be between its constitutive elements such as relationship between line, colors, volume and masses in the form of visual art work for e.g. paintings. There are theories present that confirm that content can be an effective contribution to the aesthetic value of artwork. This is the only story that supports such an argument. The general and non-honorific are two aspects of the classification of art and therefore it better to develop the understanding of the two aspects and the difference between them. The two main categories of art are fine art or applied and decorative art. Fine art consists of aesthetic objects that are not meant to be used to fill any kind of practical purpose or the art which is purely decorative but doesn’t have any facade of being considered as art. The foundation of conceptual or found art dates back to the time when Marcel Duchamp’s work was introduced, which was the representation of the enamel urinal as the subject of art. The object of questioning used by Marcel was purely based on the aesthetic view and the high level of aesthetic excellence that can be used as the instance of art. We can also observe that not always are these events the instances of art, irrespective of the fact that how they are being viewed by an institution. Objects can be classified as art or non-art. It order to place a project in the former category it is important to ask about the intention of the artist regarding his composition that whether it is aesthetic or the artistic appreciation, whether the creation of the artist is original or it is inspired by the work of others or whether the work is a reproduction or is it an object that is produced in bulk. Fine art, folk art and popular art can be distinguished from each other on the basis of several aspects. For e.g. in fine art almost every composition of the artist is original but there are so many reproductions of it present, whereas folk art is purely original with no reproduction or copy. However popular art can be distinguished from the other two form of art as all the work present in this category is merely copy and there is no originality present, or has been preserved. There are two aspects of the definition of Art i.e. horizontal and vertical. Both these aspects at times can be confusing and therefore it’s better to develop a clear understanding about them. The horizontal aspect of art is concerned with choosing the general aspect of different things and then contrasting it with different aspects of human culture. These aspects can be literature, science, sports, etc. Horizontal aspect can be considered as a non-honorific or general aspect of art in which different categories of art are included. These categories can be applied art, decorative art, amateur art, popular art, folk art and children art. According
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Art is considered to be indefinable. Art has no specific characteristics or features. According to the romantic tradition, it is the subject of genius, whose perception is beyond any social limitation and therefore it is considered as indefinable. …
The fundamental thrust of the earliest definitions related to art were most often proposed to focus on the important features of the art work rather than its essence. Basically art does not produce in isolation but it is created through various activities that play together and all these activities have direct relation as well. The product produces a piece of art.
Even as it evoke, it also brings joy to the audience as it allow its spectator to enjoy the aesthetic beauty and arrangement impressed by the artist. Art takes many forms and transcends to several mediums. Its modes of expression include the painting, film, photography, sculpture, music, dance and literature.
While some considered it as a way of imitation, some others considered it as a form of communication. For people like Freud, art meant a way for the artist to present his or her hidden desires and, thus, a way for the receiver not only to fondle their hidden desires but also to look into the mindset of the artist.
Conceptual art refers to a type of art that focuses more on artistic ideas and concepts than it does on the traditionally highly regarded beauty and material aspects of artwork. In conceptual art, theories and/or ideas are the driving forces behind the creation of an art. The making of a conceptual piece of art is thus preceded by elaborate decision-making.
For this reason its base has always been anarchic' (Roselee Goldberg, 2001).
Performance art in the 20th century represents a mixture of liberal arts fields - different philosophies, different cultures interpreted in modern viewpoints, reflecting fashion, social and pop trends.
The law is more than twenty years old. Much have changed since 1988, the time when the law was issued, and today many works of art are not protected because they cannot be defined by those terms specified in the law (Stokes 123).
The term of copyright is tightly connected
Otherwise referred to as the Proto-renaissance, art that falls under this criterion started in a Northern closed society of the current state Italy, shortly after the twelfth century (Stokstad and Michael, 2009, p. 49). Art from this era did not originally stand for an uncultivated deviation from any other medieval art.
However, it is clear that he fits in the definition of what a true artist is based on his profound passion and an unusual ability to work for extremely long durations in a quest to unveil the techniques used by Johannes Vermeer. His work also strengthened
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