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The film Water as a characteristic of contemporary films made for the love of cinema - Research Proposal Example

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The film Water as a characteristic of contemporary films made for the love of cinema

The film Water gives rise to a new wave of thought about the origin of oppression of women in India in the post colonial context, i.e, that the source of the oppression lies in the cherished ritualistic traditions of Hinduism.The objective of this study would be to examine the oppression of widows portrayed in the film “Water”, to demonstrate that it is contrary to the image of oppression of women that was portrayed in post colonial cinema, i.e, as originating from colonial rule. In this vein, it sets a new tradition that rises in contrast to the one established in Hollywood post colonial films such as This study will delve into the importance of the patriarchal view in Indian films, which traditionally have depicted women as the victims of domination and oppression by men. Contemporary feminist theory will be applied, specifically deconstruction and patriarchal binary thought as applied in the context of the portrayal of women in films from the third world. Some of the feminists whose views on these theories will be detailed in this study include Helene Cixous who has relied upon western philosophy and thinking to show that the application of the binary mode of thinking almost invariably places the women in a subordinate role – as the passive one, the weaker one, the emotional one and the powerless one (Moi, 1985L 104-5).

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The film Water gives rise to a new wave of thought about the origin of oppression of women in India in the post colonial context, i.e, that the source of the oppression lies in the cherished ritualistic traditions of Hinduism…
The film Water as a characteristic of contemporary films made for the love of cinema
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