The roots of the art form now known as surrealism had its start in the rapidly changing world of the 19th century. With the rise of the metropolis as industry and urbanization took control, subjective society as known in the rural districts increasingly became supplanted by the objective society imposed by the nature of such large collective societies. …
Descriptions of Lautreamont’s work echo the same type of influences identified in Dali’s work nearly a century after Lautreamont’s death. Working with literature rather than paint, Lautreamont painted pictures in the mind of his readers that were vividly graphic and altogether disturbing in their character. “One of the earliest and most astonishing examples of surrealist writing, Lautreamont’s fantasy unveils a world – half vision, half-nightmare – of angels and gravediggers, hermaphrodites and pederasts, lunatics and strange children. The writing is drenched with an unrestrained savagery and menace, and the grandiose by turns – possesses a remarkable hallucinatory quality” (Siquiera, n.d.). Lautreamont’s effectiveness is translated particularly in his ability to accurately present a vivid description of an everyday object or creature with such attention to detail and such precise selection of language that his images leap off the pages to become real before the eyes of the reader, such as in his various uses of animals to more fully represent his intentions. “These creatures are presented with the sharp eye of the biologist. By likening humanity to animals, Lautreamont achieves a double effect: man comes off as debased and at the same time, elevated: to be like an animal man must be rid of all his pretensions and vanities. It is this pretense to culture and civilized behavior that sicken Lautreamont/Maldoror”. ...
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