Daniel Chester French was born in 1850 and died in 1913 and was recognized as one of the best American sculptors of his time. He was born in New Hampshire to a lawyer and US treasury secretary. His roots were quickly defined in American patriotism with his links and friendship with Ralph Waldo Emerson and the Alcott Family. After high school, French attended the Massachusetts Institute of Technology; however, he left quickly to help his father on the farm. He began painting after being influenced by art work from a visit to New York City and received his first commission for a statue known as “The Minute Man.” By 1913, French had received a Fellow at the American Academy of Arts and Sciences and was afterwards consistently recognized for his works. He was a founding member of the National Sculpture Society and was a member of the Academy of Arts and Sciences, as well as other artistic groups. The works he is best known for is the “Abraham Lincoln” sculpture at the Lincoln Memorial, Pulitzer Prize medal, and “Statue of the Republic.” Most of French’s works are consistent with the Revolution of America as the main theme as well as the historical aspects of each design. The “Angel of Death and the Sculptor” is one of a few of the works which French did based on cemetery areas that were in use. The commission came from Boston sculptor Martin Milmore and was based on the memory of his brother, Joseph. The original statue was made in bronze and was caste in Massachusetts. However, it quickly gained wide recognition and was offered a space in the World’s Columbian Exposition in Chicago. The replica of the bronze was acquired by the Metropolitan Museum of Art in 1917 and was then re-carved in marble in 1926 to be placed at the memorial2. These concepts were used and recognized as a way of honoring the memorial that was built while basing the memorial around the honor of the Civil War and the independence of America. This was combined with the healing process that was used for the war and in response to the lives that were lost to gain freedom through the land3. The different techniques which were used at this time were a combination of subject matter with basic ideologies which
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The essay "The Angel of Death and the Sculptor" explores Representations of Culture through Artistic Expressions.The ability to make a statement and expression which pertains to a time period is one of the concerns of many artists. This provides insight into the historical components…
The Death penalty deters people from committing murders. It can save lives as it acts as a remedy against frequent murders. The death penalty is more human than other forms of severe punishments. By enforcing capital punishment there is the possibility of removing a potential threat to the society.
Arguments in support and in opposition of capital punishment or death sentence have been on academic discourse and moral as well as religious circles for quite sometime. The proponent’s grand argument has been that whenever murderers are sentenced to death and later executed, criminals or would-be criminals committing the same are made to rethink their approach to life.
Due to the nature of the death penalty, which involves one person being put to death by another, many people have doubted as to whether or not the death penalty is the most moralistic way to go about making a point. The death penalty has evolved immensely over time, but the intentions remain to be the same.
This movement not only reformed and changed the set social pattern but also brought a huge reformation in the domain of art, literature and science, philosophy and music. Along with English art, Renaissance era witnessed a major change in the existing pattern of art and sculptor.
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Examples of this are ritual human sacrifice, physical torture that is condemned by many nations worldwide and slavery that has been abandoned largely. Relics of these practices may go on, but those are anomalies that go on to underscore the facts that the world is turning against these evil practices.
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6 pages (1500 words)Research Paper
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