The essay "Modern Art as Passion" investigates modern art and artists such as Kurt Schwitters, Vladimir Tatlin, Andre Breton etc. Schwitters constructed three memorable versions of Merzbau which is a gigantic conglomeration of trash and useless objects. He first constructed it in Germany, then in Norway and finally in England where he died. The project was said to be an architectural undertaking which involves two dimensions – dimension 1 consisted of a crafted architectural structure from wood, plaster and build up along multiple irregular axes and dimension 2, has an inner core which is a formless accretion of discarded random objects and fragments. Vladimir Tatlin is a Russian artist who rejected the role of being the father of constructivism. In the 1920s, he was regarded as the man who led art into industrial and technological construction in Western Europe. His art, the Corner Relief is a type of art piece which slung on ropes and cables at some distance from any wall. His works were often designated as abstracts which have been a visual essay on representation and reality, while other are just simply meaningful in a variety of ways. Andre Breton, a French writer, poet and surrealist theorist was born in Normandy who studied medicine and psychiatry. Known as the founder of surrealism, he defined the term in his work pure psychic automatism. He also wrote the Surrealist Manifesto in 1924. Although he studied medicine and psychiatry, he realized that his true vocation was poetry.