The essay "Salvador Dali’s Surrealist Concept of Paranoia" concerns the concept of paranoia by Salvador Dali. J.H. Matthews argues that surrealism “is a higher sense of reality”. It is difficult to discern who are the surrealist and the precise definition of the movement surrealism. Commonly, in literature the description is occasionally appropriated by critics to ‘card-carrying’ affiliates of the movement and sometimes to authors who convey themselves in a manner usually recognized to be surrealistic, such as the application of automatic writing, in-depth immersion to the unconscious, to Freud, to scandalous concurrences; in works of art, a number of artists, regardless of their styles and techniques or intellectual memberships, cannot be attributed as whatever thing but surrealist. Only a scholar would rebuff that Dali was a surrealist since he was expelled from the movement. Indeed, Dali participated in the surrealists program in the early thirties and, in his personal frame of mind, was envoy of the movement’s majority, which he regarded to be detrimental of aged values, revolutionary and unprincipled; he has alleged Andre Breton as the one who truly betrayed the movement with his socialist bearing and metaphysical knowledge. in all respects Dali found it a procedure in sum too submissive for his objective. He then turned into on what he referred to as the technique of critical paranoia, and there is a clause of his bizarre declaration of guilt, entitled ‘The Secret Life of Salvador Dali’.
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2 pages (500 words)Essay
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