This essay focuses on ‘Breakfast at Tiffany's', that is a 1961 American film starring Audrey Hepburn and George Peppard. Also in the cast are Patricia Neal, Buddy Ebsen, Martin Balsam, and Mickey Rooney. It was directed by Blake Edwards and released by Paramount Pictures. The film is loosely based on the novella of the same name by Truman Capote. The screenplay was written by playwright and screenwriter George Axelrod, perhaps best known for his play, The Seven Year Itch. This essay not only describes the plot of a movie, it's actors and creators, but also explores the role of music in the film. The researcher compares three versions of one song, named Moon River in the essay - version sung by Andy Williams, version of Moon River sung by Audrey Hepburn and version of Moon River in the original soundtrack. The researcher then gives comparison and analysis of the recordings. Criteria that he used are the following: overall style, tempo, dynamics, instrumentation and expression of each one recording. In conclusion, the researches states that among these 3 different versions, he believes that the Williams version was the most successful. It begins at a more lively speed than the others, and the performer sings the lyrics strongly and meaningfully. He continues that way until the conclusion of the song. The artist follows the description of a satisfying finish to a song as described by Deborah Stein in a 2005 essay: ‘The strongest ending ,’ she says, ‘is the full, or authentic cadence.’
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