The mother who is well aware that the father is set in his views and is unlikely to change his mind encourages the young lovers to elope. This is the stage where the story deviates from the general trend because the young man is determined that he will only marry the girl he loves with the approval of both her parents, irrespective of the cost and irrespective of how long the process takes. He then embarks on a persistent campaign to win the father’s approval and at the end of a period of sustained suffering, he is able to finally achieve the desired objective. One of the important aspects to be considered in film analysis is the historical context within which the film story is set. For instance, as Hogan states, an essay that examines a film like Mildred Pierce should of necessity, analyse the changing sociological position of women which occurred during the post world war period, because the historical events of the war resulted in women being forced to participate more actively in jobs that were formerly restricted to men only but were falling vacant because they were being drafted into the armed forces to fight the war (Corrigan,88). Similarly, DDLJ is a significant film when assessed using a historical perspective. This film can be compared to another Hindi film titled Bobby that was produced and marketed in the 70s. In this film, the spoilt young son of a rich man falls in love with a poor girl belonging to a different religion. i.e., Christianity. The young lovers solve the problems arising from the rich-poor chasm existing in Indian society by eloping. This film reflects the prevailing mood in Indian society during that period when a love marriage was viewed as a near impossibility since arranged marriages were the norm and viewed as the ideal condition for marriage and one which was also socially acceptable.
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