The essay "Picasso’s Three Musicians" gives a review on "Three Musicians", painting of Pablo Picasso. Picasso’s painting “Three Musicians” offers the viewer greater visual cues as to the intended subject than some of his other work. It was used to portray Picasso’s understanding of the realism of his subject by exploring the result of reflections of the artist’s pure emotion as it became associated with the subject’s elemental or primitive shapes and forms. In the early years of the 20th century, the industrial age led to the perfection of the photograph, which reduced the prestige of hand-made art as the primary means of image capture. In reaction to the idea that art offered no greater means of expression than the simple representation of the external world that was much more economically and efficiently captured by the camera, artists such as Pablo Picasso launched into abstraction. They developed the ideas of abstraction as a means of representing the concept that there remained an element in the world that defied definition and could not be achieved by the photograph. This element was a concept they referred to as the sublime – an idea that remained just out of reach of definition and therefore could only be suggested, never represented. This element has also been referred to as the meaning of an image as opposed to its form. It was the conveyance of this meaning that these artists were trying to suggest was the result of the audience’s understandings of the artist’s conception.
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The essay explores "Three Musicians" by Pablo Picasso. The approach Picasso took in this piece is today called Cubist. It was used to portray Picasso’s understanding of the realism of his subject by exploring the result of reflections of the artist’s pure emotion…
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