The paper "Contemporary Art Form Paper" discovers the Contemporary Art. There is overwhelming consensus among the general populations of the world that the American invasion of Iraq in 2003 and its continued occupation of the country under dire civil turmoil, is both unwarranted and immoral. This is testified by the massive public demonstrations (in the United States and the rest of the world) that was witnessed as soon as war plans were announced in early 2003. The violation felt by the general public is such that the protests continues to this day, which is most visible in the blogosphere and alternative media commentary. In this backdrop, some creative artists in the United States and elsewhere have tried to employ various art forms to register their protest. The recently inaugurated play by Karen Malpede, titled Prophecy takes the audience into the heart of the Iraq war. It explores the complex web of links between various sections of civil society when a region is militarily intervened. Starring such stalwart actors as Kathleen Chalfant, Andre de Shields and George Bartenieff, the play brings out the far-reaching consequence of any war and underscores the chaos and disruption that attends it. If not directly being didactic about wars of all sorts, the play subtly implies the futility of war. Indeed, the anti-war message from the theatre community has been so resonant in the last decade that a thematic anthology was published recently. “Acts of War: Iraq and Afghanistan in Seven Plays”,
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