The essay "Seated Woman, Back turned to Open Window" explores the painting of Henri Matisse, Seated Woman, Back turned to Open Window. The piece has no known written history and is part of a body of work done in order to continue the direction of his work post 1919. The oil on canvas work is 28 ¾ inches by 36 ¼. It is part of the Clark Brothers collection having been acquired by Stephen Clark for the Sterling and Francine Clark Institution, commonly referred to as The Clark, in Williamstown, Massachusetts. However it was then purchased by the Montreal Museum of Fine Arts through the John W. Tempest Fund. Henri Matisse was born in 1869 in Le Cateau-Cambresis, Nord, France. In 1889, after a bout with appendicitis, his mother gave him a set of paints for something to do while he recovered. The act of painting became an obsession for him and he developed his work throughout the rest of his life. Matisse had experienced a great deal of difficulty in creating a career that was respected and appreciated. A founding member of the Fauvists with Andre Derain, his use of color and light provided expression that was predominant over the use of detail. The artists from Munich who had supported the development of Expressionsim, Kandinsky and Jawlensky, as an example, believed that the work of 1905 that was most worthy of their attention was coming from the Fauves, their eye now to France in order to observe the advancement of their movement. His work post 1919 represented a softening of his approach and a ‘return to order’.
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The essay analyzes the painting of Henri Matisse, Seated Woman, Back turned to Open Window. When discussing the artist Henri Matisse, the discussion will primarily revolve around color. He is best remembered as one of the principle artists of the early 20th century Modernist period…
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