The essay "Abstract Expressionism - Art and Surreal" analyzes artworks of abstract expressionism. Surrealism in art derives its meaning as a manifestation of “a style of art and literature developed principally in the 20th century, stressing the subconscious or non-rational significance of imagery arrived at by automatism or the exploitation of chance effects, unexpected juxtapositions, etc". The works of Hans Hoffman and Jackson Pollack are examples of works exemplifying abstract expressionism and the application of surrealist ideas in terms of the free flow of improvised expressions of designs, colors and style depicted in their art works. Both artists employed the technique of action painting, defined as “a highly-charged, impulsive abstract painting technique during which paint is energetically splashed, spilt or dribbled onto a canvas, usually placed face-up on the floor”. Pollack’s One: Number 31 created in 1950 is basically shown in colors black, white and grey on a brown backdrop with obvious but artistic rendition of the drip technique. Hoffman’s Spring is more colorful with more lively hues of red, yellow, green and intermittent blue in conjunction with the white, black and gray drips and splashes. A connection between the two art works could be deduced from the similarities in style and drips forming long elongated lines that curve into an intricate web of patterns interwoven with other colors. Pollack created more splashes as evidenced by tiny blots of black paint just by the edge of the frame.
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2 pages (500 words)Essay
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