The paper "The Language of Fashion" talks about the language of the fashion and describes the portrait of The Arnolfini Wedding. The two people in the portrait are richly dressed up, despite the season their outer garments shows the linings of fur and laces. These furs appear of expensive variety. The man in the picture is shown wearing a hat of plaited straw dyed black. The tabard, he is wearing is faded purple and underneath he wears doublet of patterned material probably silk damask. The women dress is equally immaculate with elaborate dagging (cloth folded and sewn together, then cut and frayed decoratively) on her sleeves and long train. Her blue under dress is also trimmed with white fur. The renaissance women have special love for jewels and gems but the lady in the portrait is adorning only a plain gold chain with plain gold earrings. A look at the room shows pristine interiors, another sign of wealth on display, the brass chandelier is huge and elaborate .The convex mirror at the back with the wooden frame and scenes of The Passion appears to be larger than the usual mirrors used during the age, another sign of wealth. A further sign of luxury appears in the bed linings and hangings. The chair and the table placed against the wall shows exquisite carvings. The oriental carpet on the floor also represents the rich taste of this merchant. It is not unusual to see this limitless display of wealth among the rich middle class of that time. The rich style and fashion is evident.
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The essay analyzes the language of fashion. By looking at the portrait of The Arnolfini Wedding, the fashion trends of middle class or merchant class becomes evident. This painting is believed to be a portrait of the Italian merchant Giovanni Arnolfini and his wife…
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1 pages (250 words)Essay
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