The castle walks with its chicken legs across the mountain tops causing different hissing and groaning sounds. The castle appears like a strange living being, as it moves with clang of the engines, spin of the flywheel, creaks of the shifting towers and oddment and the “gun-turret iguana eyes and boat-like mouth riding in front”. Its stairs and the main entrance hang behind like a tail. This surely holds the fancy of the human mind. The values and textures assigned to the colors and light add to the element of hyperrealism. The director uses dark colors, moving walls, infringing swollen figures and half visible images to create the gloomy and dim ambience of the room (Burkam, 2005). While depicting the war of the wizards, the beautiful landscapes are instantly bombed and turns into destruction. The interplay of bright lights and darkness adds on to the magical impact. The mystical sunsets, organic machineries and the characters flying through air add to the hyperealistic element. Despite the animated characters and matching voiceovers the story manages to keep the viewers engaged. Sophie manages to talk life into the characters around her including the scarecrow. The way the apparently inanimate objects begin to move and talk shows a magical component. The leap of the girl through time under the spell of the wicked witch, who transforms her into an old woman, is also a hyperrealistic concept.
Metamorphism refers to the way in which characters in digital media transform themselves physically. The movie depicts a series of transformations in the characters. Sophie’s appearance change in the beginning of the film from a young beautiful girl to an old woman with her young round face transformed into the haggard wrinkled one. Howl, the wizard can switch his shape and form at his own will and even his wings assume different colors and coats. The wicked jealous Witch of the Waste turns from the