The essay "Marcel Duchamps Readymade Fountain" focuses on the famous work by Marcel Duchamp "Fountain". This readymade art truly shows art is in the eye of the beholder. While this piece would not make a good home decoration, it should be admired for the boldness of the statement. Every artist has the right to display their art, whether offensive or not. Duchamp’s message in the end was ignored. This piece of art is not about a urinal, but what can be considered art to artists. Duchamp was a legitimate artist. However, he wanted to find art in ordinary objects. Duchamp was probably tired of pompous artists creating art to become famous. Saltz explains: Duchamp adamantly asserted that he wanted to "de-deify" the artist. The readymades provide a way around inflexible either-or aesthetic propositions. They represent a Copernican shift in art. Fountain is what's called an "acheropoietoi," an image not shaped by the hands of an artist. A true artist could find art in anything. Duchamp wanted to poke fun at galleries that deemed it their prerogative to decide what was art and what was not. He sought to undermine the notion of the sacred uniqueness of the artistic object, asking: If you put a mass-reproduced toilet in a gallery and sign it "R Mutt", does that make it art? It was a paradoxical gesture - "can one make a work of art that is not a work of art?" Artists are not Gods that create life. Duchamp wanted people to realize this with the Fountain. He wanted people to look beyond what artists were saying were art.
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The researcher of this essay aims to explore the readymade called "Fountain" of Marcel Duchamp. Marcel Duchamp’s readymade piece of art named Fountain was presented in 1917. He signed his art R. Mutt and submitted it to the Society of Independent Art. …
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