The term avant-garde is refers to vanguard or advance guard, meaning works that are innovative or experimental or innovative with respect to politics, art and culture. Avant-garde involves going beyond the boundaries of what is generally accepted as a norm in a society or the status quo mainly in the cultural realm. Since the late nineteenth century and early twentieth century, performance and art have undergone significant transformations as a result of the avant-garde practice. The term modern in respect to the avant-garde practice in art and performance around these times denotes the activities, and visible and transformational results of people who felt that traditional forms of art and performance were becoming outdated. In the 1980s, there was an assertion that it was relevant to entirely reject previous norms. The society was supposed to desist from revisiting the past knowledge by relating them to current techniques. Like other aspects of like physics, art and performance also witnessed growing movement in line with this ideology. The result of this is that in the first fifteen years of the 20th century, many artists, thinkers and, writers managed to break with the traditional ways of organizing painting, music, literature and painting. Cranestates that Avant-garde writers who saw themselves as being modernized abandoned bourgeois values and begun bothering their readers with new styles and forms that were difficult and complex in nature. Modernization also led to a change in the continuity.
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The researcher of this essay "Modern and Avant-garde art" explains the term modern in respect of avant-garde practice in art and performance in the late nineteenth century and early twentieth century and examines critically the purpose of the avant-garde…
Generally, the term is used for the activities and the resulting outputs of those in society who felt that the traditional modes of social organization, religion, literature, architecture, and the general ways of day-to-day life were outdated. They felt that these aspects of society were getting out of phase with the new conditions in the social and political fields that existed in the emerging industrial world.
The movement was meant to push the boundaries of norms and the status quo.
This paper discusses the avant garde movement and the work of some Russian artists who include Natalia Goncharova, Kazimir Malevich and Wassily Kandinsky who were Russians. Kandinsky work introduced the use of form and colour in painting, he actively contributed to the avant garde movement in that he used form and colour to bring out the feelings he wanted to express to the viewers of his painting, he also introduced the use of abstract painting and created the independence of paintings to the forms of nature, this is evident from the use of colours that do not resemble any living form in the world.
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The eloquent writer echoed his concerns about the failure of the academic field to address avant-garde art that is a conspicuous phenomenon in modern day culture. However, since these concerns were put through, the situation changed for the better. The somewhat
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