According to Burch, the Theory of Film Practice is at every point derived is based on the perception of film as something that develops not through the constraints and conventions of an industry, but rather, it originates on the opposition to them. Burch, in all his work, has seemed to dedicate himself into redefining the components of film forms or styles. Burch's perception on film viewing and film-making are both as parts of the same intrinsic process. He re-establishes the shot changeover as the foundation of formal articulation in the cinema. Burch's quest led him into discovering what he perceived as a “purer cinema” which, in his point of view, is free of conservative ideologies. His Theory of Film of practice remains to be one of the main points in the study of criticisms in the Western film. In his book, Burch tackled various concepts such as the continuous and discontinuous forms of cutting as well as further investigating the various uses of off-screen space which are defined and investigated extensively. Factors which he explored in the last seven chapters of his book included softness and sharpness of focus, lighting contrasts, moving and stationary images, long and short sequences, structural uses of sound, functions of chance as well as an interesting category which he designated as the “structures of aggression.” In Gunning's point-of-view, the general feel of narrative films gave audience the sense of being an unknown spectator of the film, generally watching. unknowing characters of each film
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The researcher of this essay "Noel Burch and Tom Gunning" compares the approaches to early cinema of Tom Gunning and Noel Burch. An American who grew up in France, Noel Burch was a film critic reknown for his contributions in the jargon of the film industry. …
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