Dutch art is insightful of the Protestant Reformation. Frans Hals was the foremost painter in the seventeenth century Haalem, a city in Dutch whose affluence developed from brewing beer and making extravagance fabrics. Even though Hals painted various scenes of every day’s life, he was essentially a portraitist. His outstanding group portraits of the public guards and administrators of helpful foundations, all of which are in the Netherlands, are particularly famous. To avoid flattery, Hals illustrated his sitters with a dynamic honesty that called for their strong, informal tastes. Winning political freedom from Spain in 1648 and the liberty to devotion in the new protestant belief, the Dutch Republic was as well immensely rich from overseas trade. Dutch burghers, even as they took considerable pride in material ownership, they were still socially traditional, most holding to a reserved and an uncomplicated lifestyle. Some of his paintings illustrated the various strata in the society. By firm religious rule, the early Protestants dressed in only black and white outfits, despite the cost of the fabrics. Hals revolved the bare clothing to an advantage, making use of the neutral outfits to begin his sitters’ complexions beside light tan or dark gray environment. To evaluate Hals’ varying styles, it is useful to look carefully at fine points, like lace collars, that he handled in a different way during his progress. Two features of hands, separated by almost twenty years, indicate a development in Hals’ technique.