The paper "Large Female Nude by Pablo Picasso" analyzes one of the most important artworks of the cubist Pablo Picasso. The picture this artwork shows is the outline of an overweight woman. The outline is filled with smaller lines that follow the lines of her muscles except in the area of her stomach. In this area, the lines move horizontal across her middle. The way these lines are drawn makes it look like the woman is moving and add energy to the art. The lines on the right side of the painting are light-colored and the lines on the left side of the painting are darker which makes the woman seem like she is not so flat, because the light is shading her. It looks like the woman is dancing because she has her hands held up on top of her head and one leg is positioned behind her with the knee bent. The other leg is straight, but it looks like it is facing me because the toes are in front. This makes me think I can see her from the front and from the side at the same time. The woman's face is turned toward the darker side of the painting and she has long, dark hair that falls over her shoulder and between her breasts. One of her breasts is straight toward me but the other is seen from the side but the one that is straight toward me is not on the side with the leg that is straight toward me. There is a light area of brown around the body of the woman, but it is wider along her dark side. This same solid brown color fills the area between her legs and the space between her face and her dark arm. There is a floor under her feet which is a wavy light line, but the rest of the artwork space is black. This artwork is described as a reduction linocut, which means that it was made in a special way. Instead of painting like most of his work, Picasso cut the image into a block and then paint was put on the block and a piece of paper was put on top of that and rubbed until the design moved onto the paper. To make this have more than one color, Picasso had to cut the block to make the background brown color of the woman and print it. The black parts would be the part of the block that he cut away and the brown part that outlines the woman would be the parts that stayed. Then he would need to cut out more of the block to show more details of the woman like the lighter color lines. If you look carefully, you can see that some of these lines go over the darker brown lines which means that they were printed after the darker lines. It is called reduction linocut because the artist has to keep reducing, or cutting away, the block in order to make the print. Even though these lines were already there in the darker brown, having to pull the block away in order to cut more of the lines away would have meant that it wouldn't be put in exactly the same place the next time when the lighter lines were being made. There is another tricky thing about this way of making art. Even though the woman is facing one way when I look at her, Picasso had to cut her like a mirror image in order to make her look the direction he wanted her to look. One of the reasons artists might use this way of making art is that they can make more than one copy of an image quickly, but they can still limit the number of artworks they print. Once the block has been carved the second time, no more new prints can be made. The style of the artwork that Picasso uses for this woman is the primitive style, which was a style that he made popular. In his work, Picasso wanted to show emotions without
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