e reveals that the Hammond-Harwood House was chosen to be designed by a 40-year-old English architect William Buckland, but who inadvertently died in December of 1774 ( (Hammond-Harwood House Association: History par. 4). As a structural framework for the house, Buckland was noted to have used “Andrea Palladio’s elevation, and to a lesser extent the plan, as his conceptual model to build the Hammond-Harwood House in Annapolis, Maryland in 1774” (Hammond-Harwood House Association, Inc.: Architecture Lecture 27).
What is visually striking in this architectural house is the symmetrical lines and exact parallel proportions in sytle and structure. One could appreciate the geometrical forms of the house’s rooftops and the left and right structures designed as polygonal bays. There are connecting bridges that parallel the forms of Roman arches making the style connectingly flawless in five-part completed form. This is consistent with the lessons contained in chapter 5 on art which states that: “classical Athenian buildings were designed and constructed with
mathematical precision, in keeping with the Greek love of numerical and geometric harmony” (Chapter 5: Art 123). As such, the aesthetic appeal of the structure has captivated the emotions of guests and viewers who appreciate its architectural beauty since it was built in 1774 until contemporary times. It is therefore commendable that the historical house is being currently maintained and preserved by the Hammond-Harwood House Association to ensure that his magnificent example of an architectural talent continues to inspire future generations.
A work of contemporary art that captured one’s attention is street art, which is still controversial since it ventures on issues leading to vandalism and graffiti. The art republic defines street art as “any art developed in public spaces…(including) traditional graffiti art work, as well as, stencil graffiti, sticker art, wheatpasting and street poster art,