The essay "The painting Drinnen und Draussen, by George Grosz" explores George Grosz's painting called Drinnen und Draussen. There were more shades and the images of the people were not clear. A pillar supposedly served as a dividing wall to visually represent people from the inside, dressed in coats and tie, one with a cigar, and apparently dining in style. These people could be seen as having a good time surrounded by sophisticated and classy ladies. Other objects were clearly painted such as a lamp, a bucket of liquor, an ash tray, to name a few. The faces of the people are all clear exemplifying various expressions of smiling, waiting patiently, listening intently. The colors were also disparate with the outside people being painted in grey, blue, brown, touches of light greens and pinks in matte. The inside portion was more vividly colored in reds, tan, blue, white with clearer and illumined backdrop. One could deduce that the painter intended to relay the message that people seen inside dining places had the luxuries of availing the best of life. The people inside with faces painted in round, clear and donning happy expressions and are well-dressed signify wealth, luxury, richness. The dividing wall also symbolize the demarcation between the rich and the poor – as people from the outside manifest poverty, wanting in financial resources and appropriate access to health care. Their faces were painted as blurred symbolizing obscurity, loss of identity, nameless. The realities of life at the time.
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The researcher of this essay analyzes George Grosz's painting called Drinnen und Draussen. The work of art is oil on canvass with the following specifications: 31 1/2 x 46 3/4 inch or 80 x 118.7 centimeters. The painting is already categorized under modern art…
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