His interest was focused on capturing the body movements so that he considered himself and preferred to be known more of a realist than an impressionist. Seurat on the other hand experimented on a new form of painting which was called pointillism because he used dots of colors to create a visual effect where primary colors placed near each other form the desired secondary colors. This experiment was inspired by his interest on color theories and the study of primary and secondary colors so that his style hugely contrasted the common manner of mixing colors on a palette.
With the different styles of the two artists, obviously, their works have all been different although their thoughts placed into canvass both reflect features of impressionism. In Seurat’s A Sunday Afternoon, he tried to capture a photographic image of his subjects where the movements of the people are meticulously considered, interpreting even their facial expressions. As mentioned earlier, he used the concept of optical illusion where the viewers’ eyes seem to ‘mix’ the colors to form his desired color combinations with the use of dots of primary colors. Therefore, there are no traces of brush strokes in his work. Lines and curves have all been dependent on his skill and patience in making the painting. Looking more intently at the painting, one could just imagine the time spent in creating it, the care and painstaking effort exerted on the work. Seurat used the bright colors yellow and red as well as the cool colors green and blue, creating a lively scene at the island. He also used other colors for other objects and subjects in the painting, making use of a wide variety of colors.
In contrast to Seurat, Degas formed his Ballet Rehearsal at the Set through brush strokes specially using thin lines to express the forms of his subjects. He used a mixture of long and short thin lines to define his thoughts placed into canvass, making every part of the painting detailed. One that could be