The research paper "A Political Life of Pablo Picasso" highlights Pablo Picasso's political side of life. Pablo Picasso is one of the pre-eminent artists of the twentieth century, having mastered various art forms such as painting, sculpting, print-making, ceramic-making and stage designing. Alongside Henri Matisse and Marcel Duchamp, Picasso is considered to have revolutionized plastic arts in the early part of the twentieth century. His political commitments have been one of the most underexplored areas of his life and work. But new scholarship and evidence from exhibitions identify the political facet of Pablo Picasso. This essay will argue that though not much publicized or documented Picasso held strong political beliefs. This is evident from the events of his personal life and the content of his artistic works. Although art critics often suggest that art should transcend politics, this assertion does not always holds true. The most important event in Picasso’s life, which betrays his strong political sympathies, is his joining the French Communist Party in 1944. Picasso’s contribution to the party came via his three drawings of Maurice Thorez in 1945. He also gifted to the Communist town of Vallauris, his sculpture L’homme au mouton. The painting ‘The Peace Dove’, produced in the aftermath of the the Second World War is further evidence for the link between the aesthetics and politics of the great painter. Picasso’s deep involvement with Leftist politics is made obvious through his 1953 portrait of Stalin.
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