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Rivane Neunschwander - Term Paper Example

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Rivane Neunschwander

This can also be thought of as the difference between the visual image and the sublime connotations of the image. Although the sublime element is, by its very nature, shapeless and indefinable and therefore cannot be placed within a specific visual form, the visual form, by its very nature, must suggest some element of the sublime (Lyotard, 1984). Every visible form is capable of suggesting some deeper meaning to an audience at varying levels of meaning regardless of the intentions of the artist. This is because art is not perceived to be the static element it was once considered just as the audience is no longer thought to be merely passive observers. Instead, it is a constant interaction between the artist and the viewer, between what the artist created and how the viewer interprets based on his or her own experiences, understandings and context and how the ‘canvas’ interacts with the element of time and the various forms of media available today. The postmodern movement, with its emphasis on illuminating the sublime, brought these ideas to the forefront leading eventually to today’s trend to engage more of the viewer’s senses in this interaction. Rather than simply paint on canvas or a marble sculpture, art today often involves a number of different elements including some consideration of the element of time and audience reaction/interaction. ...
Once these elements of the work are understood, a greater appreciation for the work can be achieved and analysis can be more complete. Neunschwander is an artist heavily influenced by her environment wherever she happens to be. This began when she was born in Belo Horizonte, Brazil in 1967 as a place where she continues to live and work. Her artwork is comprised of many formats and mediums including painting, drawing, sculpture, collage, film, participation events and performances. Her background in Brazil means she comes from a society heavily invested in creating art on the international level. According to Richard Flood of the New Museum in New York, "movements such as Neoconcretism and Tropicalismo have produced artists of supreme originality, including (to name a few) Lygia Clark, Helio Oiticica and Cildo Meireles. This too is Neunchwander's history, and it can be felt in the liberated formalism of her art." The Brazilian tradition places a heavy emphasis on breaking down the distinctions between creator and viewer of art which is an essential element to understanding her work. "The notion of social agency is incredibly important, and maybe that's what she and they [other artists such as Lygia Clark and Helio Oiticica] share the most: the belief in art as something participatory" (Flood). Brazilian folk traditions such as the one in which individuals tie ribbons around their wrists in the belief that when the ribbons fall off their wish will be granted heavily inform her work as well, but this playfulness with tradition and material also serves to mask the artist's inner fears and insecurities by her own admission. "Normally I’m more melancholy than playful,” she ...Show more
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Summary

Rivane Neunschwander Instructor name Date As an artistic movement, postmodernism has moved artistic expression away from the two-dimensional painting that appeals only to the eye in favor of more interactive pieces designed to engage the audience on a variety of levels at once…
Rivane Neunschwander
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