The essay "Bonaventure’s art - Christian artists" discovers Christian artists and focuses on the art of Bonaventure. Bonaventure strived to have a personal meeting with Francis’ companions; still alive as early as in 1260. Although Bonaventure really sought for the Saint’s companions, it is hard for one to conclude that Bonaventure’s intention was to present a trustworthy figure of Francis the Saint. A school of theology has argued that Bonaventure’s effort was to realize a theological history, that made him an icon of Francis’ background; this was the Bonaventure’s intended paint; “a stigmatized saint.” Additionally, Bonaventure brings out Francis as the founder of “a new religious order.” He also presents a conformity image between Francis the Saint and Christ. According to Bonaventure, St.Francis had a visionary experience while praying on top of a mountain in alone. During the experience, St.Francis was imprinted the wounds of Christ at the crucifixion; Christ’s wounds were referred to as the stigmata, while the experience the stigmatization. Consequently, Bonaventure a Franciscan’s leader wrote about St.Francis, and thereby making St.Francis canonical. This piece of work can also be analyzed by dividing it into three sections: foreground, middle-ground, and the background. Every figure, symbolically communicates to the observer. Additionally, the positioning of each figure is an important attribute of the artist. The wall painting and the panel painting reveal similar features.
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