The essay "The Evolution of wall painting" explores the wall painting and the stages of its evolution. In the religious setup, the styles of Frescoes and Mosaics are widely used, narrating the life of the Virgin Mary and Jesus. From them, one can draw a conclusion that, though wall painting changed, it remained the same in different setups. This paper seeks to explore the evolution of wall painting beginning in Paleolithic period to Early Renaissance.During the Paleolithic period, wall painting decoration was either decorated objects or figurines. From about 31, 000 to 12, 000 B.C, there were two main categories of painting, which were either decorated objects or portable pieces. Portable pieces were small figurines, while decorated objects were carved out of stone, clay, and also cave art. Paleolithic art majored itself in different subjects such as animal carvings, hunting scenes, and animals. It was an attempt to gain control over the environment through critical thinking. One can imply that painting was a powerful tool of revealing different ideas and concepts of the society. Wall painting was carried out in different colors, but mostly golden brown was used to reveal the beautiful nature of the painting. The following is an example of a wall painting of the Paleolithic period that depicts animals. The walls were covered with different paintings that revealed different subjects. In most cases, animals were the subject shown through shades of brown, red, black, and yellow.
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phenomenon in a wide array of fields, with proponents passionately defending it with scientific bases, despite the very lack of scientific visibility for such evolution alluded to in the definition above. To be sure, the argument extends to the very irrefutably evidence that no
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