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Representation of North America/North Americans in the Films of Santiago Alvarez - Essay Example

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Representation of North America/North Americans in the Films of Santiago Alvarez

Santiago Alvarez’s films were found to illustrate the imperfections of the North American continents and its inhabitants. The films exemplify the continent inhabitants’ interactions with those in the said continent and those elsewhere. The films were not only meant for entertainment, but to also emphasize the social injustices that went on in the continent and through its inhabitants’ actions. His films focused on the repercussions or effects of people’s actions, as opposed to the mainstream films which only focus on the effect rather than the cause of injustices. We also note that Santiago’s films were focused on communication, as films were viewed as tools of communication. However, films in the mainstream Western front only serve to satisfy the monetary interests of the stakeholders in the industries. All of Santiago’s films have musical undertones (Rist 2007, p. 64). This represents the North American culture as one which accepted music as a form of presentation and communication. This is also seen from the Western mainstream where Hollywood, for instance, has absorbed the musical culture into film making. This is seen by musical themes in movies and further shown in the production of musicals. In his film Now of (1964), Santiago portrays the civil rights abuses in the North American continent. ...
Hollywood, for instance, depicts the North American continent as one where civil rights abuses are unheard of whereas, through Santiago’s film, this assumption is rendered inaccurate. In this film, no voices are heard, which goes to further clarify the people’s reluctance to speak out and act in the face of such adversity. Moreover, it portrays the people as having being forcefully silenced by the oppressors, which are principally the powerful men in the North American society. The civil rights abuses show the people as going contrary to their constitution, which upholds the right to speech, movement and freedom of all individuals. In the film, Santiago uses Lena Horne’s musical prowess to demonstrate the historic heroes of humanity in North America, people such as Lincoln, Washington and Jefferson who are represented as fighting to preserve the exclusive rights of all people in the continent and elsewhere. The civil rights violations shown in this film center around racism shown by North Americans. The splitting up of the screen into three parts in the first scene of the film conveys a sense of segregation among the people of North America. As noted, this segregation emanates from discrimination of minority groups along racial lines, and disregard for their rights (Rist 2007, p. 74). This division is also brought about by the colonial nature of North Americans. Neo-colonialism is widely practiced in the nation during the time the film was shot. North Americans who held this doctrine regarded the indigenous people, such as black Americans as inferior beings, and although slavery was not openly practice, people’s mindset was such that these minority groups should work for the white people of North America and ...Show more
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Representation of North America/North Americans in the Films of Santiago Alvarez Name: Institution: Representation of North America/North Americans in the Films of Santiago Alvarez Santiago Alvarez Roman was a filmmaker born in Cuba in the early 20th Century…
Representation of North America/North Americans in the Films of Santiago Alvarez
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