The paper "Mary Cassatt the Notable American Artist" analyzes the artworks of Mary Cassatt. The image in Figure 1 is Cassatt’s painting of her Miss Mary Ellison and in the image she demonstrates the use of color to bring out the calm mood of a strong woman. According to the National Art Gallery, Degas also introduced Cassatt in the asymmetrical styles employed by Japanese artists and the use of bright colors. The use of bright colors according to Web Museum demonstrated a mood of gentleness that served to brighten by her constant use of the “golden lighting.” These aspects worked in harmony with the family and children which was the dominant theme in most of her works as demonstrated in figure 2. Cassatt was always a quick learner who learnt the basics about a particular style in art and instead of reproducing the same pieces; she would always ensure that she employed her innovativeness to come up with impressive masterpieces. The best example is her portrayal of the techniques she learnt from Japanese art for instance asymmetry and wood block print. She was able to mould these techniques in such a way that they fit so perfectly within her own impressionsim themes. I look at one of the works of Cassatt, “The Little Girl in Blue Armchair” in order to relate it with its historical context, to establish the impact it had during the historical context, and the importance of the piece in contemporary art. The painting of the Little Girl in Blue Armchair was done in 1878 and it painted in an oil canvas.
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