The essay "Summer Landscape by William Panchner" examines "Summer Landscape", made by William Panchner. Depth and distance were effectively depicted through the elongated lines at the bottom of the painting which could be interpreted as winding roads interspersed with green shrubs. The depth was evident from painting forms and objects in smaller scales to depict furthering distance from the viewer. As the viewers’ eyes search through the landscape, the concept of space was effectively depicted through exhibiting a continued journey upwards to the house, as its apex. Beyond which, shades of blues represent the skies with shimmering glitters of sunlight depicted through waves of gold. The lines that were used are predominantly elongated, wavy, and rigged. The objects were not realistically expressed and only the house a top of the hill was visibly recognizable through clear lines and effective use of differentiating color that made the house stand out from the scenery. The placement of colors complements each other and by including white intermittently, Pachner effectively created a sense of tranquility within the scenery. He leaves interpreting other visual forms in flat rendition to the imagination of the viewers. Greens could obviously represent flora. Shades of dark blues and greys depict depth in terms of inner spaces and farther locations. Like his landscape, those who view it could be lost in the barrage of colors and lines with no clear patterns. One is led to appreciate a sense of balance in his painting.
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The essay discovers "Summer Landscape", work of William Panchner. The painting by William Pachner, entitled “Summer Landscape” is an oil on canvass that contains various manifestations of art forms through the effective use of colors, lines, and depth…
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