With regard to the historical context of the paintings, the two paintings are consistent with the post impressionist historical styles of painting which began towards the end of the 19th century. For instance, the styles used in two paintings largely emphasized outdoor paintings with colorful palettes, landscape scenes as well as daily life scenes. All these styles were heavily used during the post impressionist periods. Additionally the artists’ use of colors and shades also suggest that it the works may have been done in the 1900s when the post impressionist styles were the common style (Penelope, 67) .This period was characterized by cultural and racial conflicts between the white American immigrants and the natives. For example the artists may have used more white colors on the paintings to idealize the white race and the western life. One important question that arises in the analysis of the two pictures is whether they have effectively passed across the information that they were intended for. The costumes and ornaments are still regarded as important in several societies due to their continued use in our contemporary society. In both the two paintings, the relationship between the form presented by the artists and the iconography is quite complex. Generally the iconographical requirements have significantly affected the formal elements of the two paintings. In “Sitting Indian”, Joseph Sharp has effectively included some of the details such as images of the hunted animals.
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