It is a cinematographic adaptation of the traditional Chinese stories. Yang is known for coming out with some of the most refreshing and impressive works in the contemporary Chinese cinema (Yu 35). Yang’s films and photos are well known for their psychological gravity and density (Yu 35). His films and photography tends to delve on the most fundamental philosophical questions marking the human existence in an intensely visual format (Yu 35). The hallmark of Yang’s art is that his photos and films aspire to blend the vivacity and verve of youthful ideas and feelings with the stark and sobering realities of life (Yu 35). In his works Yang makes stylistic references to and extends a nostalgic homage to varied salient periods and aspects of Chinese cinema (Yu 35).
Yang’s photos extend symbolic answers to the questions pertaining to creativity and identity in the contemporary world. The strange thing is that Yang’s photos and films lack any discernible political
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