The paper "Lawrence Paul Yuxweluptun - contemporary artist" concerns the art of Lawrence Paul Yuxweluptun. Now this kind of art is called propaganda. Many contemporary artists, though, are again turning to art as protest, incorporating political statements within the frames of their artworks and striving to encourage a more humanitarian, sustainable approach to modern life. Lawrence Paul Yuxweluptun is no exception to this group of artists, although he may be considered more political than most. Like many artists at work today, a great deal of Yuxweluptun's art can be associated with the popular culture movements, but it is also heavily informed by modern politics and ancient legends. To understand Yuxweluptan's work, such as "The Impending Nisga'a Deal," it is helpful to know some background information about the artist and the event that inspired the work. Yuxweluptun is a Native American, his father is from the Cowichan Salish and his mother from the Okanagan, which had a strong impact on his art. He was born in 1957 and grew up mostly around the Vancouver area of Canada, giving him a very contemporary, modern viewpoint to his family's ancient roots as they were heavily involved in tribal issues. "He is deeply connected to his heritage as a man of mixed Okanagan and Coast Salish ancestry but cannot separate himself from the larger, non-Native society in which he now lives. He is an urban Indian, trained at the Emily Carr College of Art and Design, and his art partakes of conflicting traditions.
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The paper discovers the art of Lawrence Paul Yuxweluptun. Even in the old days of the Renaissance and earlier, a lot of art has been motivated by political forces. A long time ago, this influence was mostly confined to who was paying for the art and how he wanted his subject portrayed. …
British society in the twentieth century was divided into the rich class which brought wealth into the country from far off lands, and the commoners who toiled to make both ends meet. Typical British families during that era, including Lawrence’s own family were thus embroiled in the struggle to attain a better position in society.
The 20th century witnessed an explosion of literature that challenged the depths of philosophical and psychological investigation. One of the most prominent writers in the 20th century canon of literature is D.H. Lawrence. Through his novels and short stories he both pushed the boundaries on what is acceptable in literature and explored the subconscious in narrative form within the spectrum of the psychoanalytic understandings of his cultural milieu.
Lawrence Paul Yuxweluptun has had exhibitions in the US, Canada, Germany, France, amid other places. his work is housed in University collections in Berlin, British Columbia, Zurich, the National Gallery of Canada, the Vancouver Art Gallery, among other places.
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ion existing in Britain during his lifetime." British colonialism was at its peak during Lawrence’s lifetime, with riches flowing in from all parts of the world. British society in the twentieth century was divided into the rich class which brought wealth into the country from
oundaries on what is acceptable in literature and explored the subconscious in narrative form within the spectrum of the psychoanalytic understandings of his cultural milieu. Lawrence’s short story The Rocking Horse Winner explores the both prominent dramatic concerns of
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4 pages (1000 words)Research Paper
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