Another key influence in the early twentieth century was the horrific experience of a mechanized warfare which caused very large numbers of casualties. Picasso’s Guernica which commemorates some ethnic cleansing in the Spanish Civil War, uses some elements of cubism, and a great deal of symbolism, which in turn owes much to the development of new ideas about psychoanalysis and the subconscious. These new insights about human psychology provided interesting new avenues for artists like Matisse to followed up, for example in his painting The Sorrows of the King which mixes bright color and simple shapes into a layered pattern, indicative of human figures, flowers, and music, but not fully rendered into realistic images. American ideas about industry and technology, including mechanisation and factory efficiency also caused innovations in production techniques, resulting in the incorporation of print media and advertising into the concept of art as for example in the works of Warhol and others in the middle of the century. In summary, then, the twentieth century brought a sense of discovery and exploration into the world of art. Old conventions were thrown aside, and adventurous new styles were developed, challenging what came before and setting out a radical new way of defining art and all the different meanings it can have. Later Picasso was to take this one step further and develop cubist paintings, which show human figures from the several angles at once, in a disjointed way.
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