For individuals like Plato and the other members of the Platonic community, there were two aspects of Goddess Venus. One is a form of physical manifestation; wherein she is responsible for the espousal of physical love in humans. The other is a form of divine beauty, responsible for arousal of intellectual beauty in human beings. All of these factors are important articulates for the success of understanding of manifestation of Venus.
The defining ideology for the Venus motif is the alleviation of individual self towards the attainment of goals. One of the factors that define the ideology is the fact that the physical manifestation of beauty opens up the spiritual front. There is another ideology that frames this painting as a type of wedding painting. This is a necessary aspect of the painting system that takes care of all the needs. There is also a version that points to the fact, that it extols the virtue of Medici family (Lilian). They were the ones who commissioned the painting. There is a version that points to the original painting by Apelles. It was originally commissioned by Alexander the Great.
The restoration of some of the paintings was not a possibility. This led to the creation of a second painting, which is superior to the first one. This according to some historians was a direct attempt at the continuation of the paintings in a significant way. This has ensured the development of a concerted attempt at the creation of value. The painting by Bottiicelli can be seen as a continuation of action for the completion of the needs of society.
This may be a part of receptive act by Boticelli, towards the recreation of art. There is a strange degree of linearity on the painting, which is in departure to the styles found in the Renaissance. This was also contradictory to the approach that Botticelli had towards painting. This