Minds have shape and so do emotions and these two unseen parts of human being are themselves shaped by knowledge and experience so that it makes sense to ponder that while shapes widely exist in several regions of the earth and universe, it would bear less to acknowledge them apart from the essence of relations.
In the field of art, shape proves to be an essential component that constitutes any piece of creation with a defined boundary. Its non-static property allows it to establish dynamic and flexible connection with other visual elements such as lines, curves, texture, and color (Definition of Shape – Art History Glossary). If not, how is it possible to imagine random lines or figures spread in space toward shapeless construction? Whether something is identified as regular or irregular, there certainly is a sensible ground of opting to view and feel what proceeds as definite rather than to dwell at the sight and thought of absence in dimensions which is as good as non-existence. Dealing with shapes means evolving with them in several aspects of life for they embody both the origin and shadow of form in everything at all times.
Mathematicians have been able to synthesize concepts through Euclidian geometry, discovery of conic sections, and other relevant areas which to this point are of huge advantage due to man’s fundamental learning of shapes. Likewise, it has sparked the interest of humanity to examine graphical theories in order to grasp the symmetry and orientations that extend their significance to musical dimension where the shape of rhythm is comparable to a curvilinear flow that sculpts and refines manner of appreciative listening. Thinkers and composers can be naturally observed to have become unified by virtue of artistry in the process of shaping symphonic orchestration, literary endeavor of writing
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