Attention can be lost as the viewer is straddled to-and-fro two episodes, those of Vito the Godfather and Michael the second Mafia don. Portraying the two main heroes across decades made the scope of the movie too stretched out. Various mafia characters were depicted with undue presumption that they are known to the ordinary viewer. Splitting the movie into two separate films could have been plausible. Instead, loose parallelism made the movie porous and disconcerting. Full camera shots for a documentary-like effect in recreating Sicilian, Nevada and Havana locales fit an epic format. There was, however, not sufficient angling and close-ups for audience affinity with the main characters. Total effect was that of a vintage film shot on a one-camera
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