Looking out from the building means seeing lines that obstruct the windows and frame them into multiple small panels. The building uses long floors through which the experience of being on the interior reflects a restricted, ordered feeling, based upon the way in which the exterior seems to promote long rectangular shapes. Movement inside the building would provide a reflection of the exterior through interior spaces that are interpreted as a reflection of the continuation of that aesthetic. From the external descriptive perspective, Gropius’ work reflects the avant-garde elements of architecture that arose through the period of the Modernists. The World Heritage List reports that “It made a major contribution to breaking ‘the power of tradition’, not only in the field of architecture, but also in the design of articles of everyday use and in advertising, creating a new language of form”. The period in which it was built was processing the world through an understanding of industrialization and human beings as they fit into an industrialized world. The intention of the work was to reflect a fusion of craft and industry, supporting the concept that “there is no distinction between monumental and decorative art”. The new aesthetics that were being taught at the time that this building was constructed were based upon the idea that the old world ideas about craft could be implemented into new world ideals that used modern materials and high quality craft, but reflected the aesthetics of the manufactured.
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