The minimalism movement did start in the 1960s, as earlier stated, in the United States and the process influenced the modern art as exemplified in such works as painting, sculpture and installation. During the time of its inception, minimal artists desired to have their respective artworks to be enjoyed without disruptions of the conventional aesthetic field. They focused on descriptions like color, and geometric structures and shapes. It is worth noting that the work of the minimalists did transform not only the way art was being viewed but it also elevated the social status of the discipline in the society. A look at each of the minimalists’ works confirms and sheds more light into the elements and purpose of the minimalism art movement. Donald Clarence Judd is one among the leading artists who contributed immensely to this field. Scheldahi et al p 212 confirms that Judd is the renowned figure behind minimalism, even though he renounced the label and preferred to be known as the ‘maker of objects’ The man credited for having revolutionized art during his time especially in the 1960s and left an impression which was to stay long after he had gone. A Masters Degree graduate in Art History from the University of Columbia, Judde’s work of art has been described as one which is unique and as Scheldahi et al puts it, his work is unfailing elegance even lapidary in a grandiose sort of a way. The major contributions of Jude, notes Arts Foundation, were in the forms of ‘stacks’, ‘boxes’ and ‘progressions’.
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