The author initially described the prevailing racial prejudice that continue to pervade Hollywood by disclosing that even George Lucas, the world renowned producer of blockbuster films, had faced outright rejection when “Red Tails” was proposed. Using logical structure and presentation, Martin eventually presented an enumeration of facts to dispute the allegation that supposed “black films” could not be possibly effectively marketed. By intending to use persuasion to emotionally appeal to the audience that more African-Americans have made legendary marks and accomplishments in contemporary American society, Martin used appeal to pathos as a convincing element. Eventual discourse focused on the culture of Hollywood through narrating and disclosing that it is a “close-minded society where it's hard to find African-Americans in positions of true power”. As such, through analysis, readers would deduce that without sufficient backing, representation and support from any significant leader or senior management with approving power, films with predominantly black actors were deemed a complete debacle. Further, Martin contended that there is an eminent dilemma in Hollywood that typecasts films with predominantly black casts as “black” films and therefore render them unmarketable with significantly low global audience appeal. By providing vivid examples through citing famous personalities, the author ensured that increased understanding is rendered to the readers, as intended.
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